corpseboy
2nd January 2007 - 03:07 AM
QUOTE (GoreObsessed+Dec 30 2006, 11:46 AM)
QUOTE (corpseboy+Dec 30 2006, 06:14 AM)
nice wallpapers, for sure... but the bio is full of flaws..
"flaws"... mmm... ok what does it mean ???
I guess it's something like "blur parts" or mistakes no ?
In fact biography has always been one of the weakest part of my website, because it comes from Metal Blade website, i haven't writen it
Anyway, i have put some more mp3 on
SLAUGHTERING METAL but only some songs from the official cds, so i guess i've got them all
Maybe i'll put some demo songs or live stuff from Cannibal Corpse, but i think real fans (like us
) will know them all...
Now i'm going to keep those websites updated and try to do more wallpapers !!
And concerning different editions of each cd, it's the hardest part to keep updated, cause nobody haves them all and i have to surf all arround the net to find all of them
by the way, if someone has a scanner, i still don't have big pictures of re-released cds
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Biography
Formed in 1988, Buffalo born/Tampa raised CANNIBAL CORPSE helped found, manipulate and transcend the very boundaries of death metal beginning with the scandalously controversial debut, Eaten Back To Life. Raising the eyebrows of inquisitive metalheads and incensed parents and politicians, the record — produced by Scott Burns at the now renowned Morrisound Studios — was more extreme and confrontational than anything the metal genre had ever known. As a result of the band's brilliantly gruesome cover art, grisly lyrics and song titles like Hammer Smashed Face, Meat Hook Sodomy and Addicted To Vaginal Skin, follow-up records Butchered At Birth (1991) and Tomb Of The Mutilated (1992) were met with further contempt by the likes of such organized censorship leagues as the PMRC. In just three years, the sale of CANNIBAL CORPSE merchandise was (temporarily) prohibited in Australia, Korea and New Zealand (in fact, the sale of Butchered At Birth and the performance of those three records is still forbidden in Germany). But dissuaded they were not.
Proving technical dexterity, diabolic vocal grunts and a penchant for serial killers, zombies and gore of all shapes, sizes and textures, CANNIBAL CORPSE won over the hearts of many a metal extremist and have since become a harrowing household name. Since the band's inception they have sold millions of albums world wide and show no sign of slowing or bowing down to the ever changing metal genre. Massive tours throughout the U.S. and Europe as well as Australia and South America only underscored the band's staying power… and all this with zero commercial radio presence and minimal video play (although the band did appear in the Hollywood blockbuster, Ace Ventura – Pet Detective).
The momentum continued with the 1996 release of Vile, the first CANNIBAL record to feature former MONSTROSITY throat George Corpsegrinder Fisher following the departure of Chris Barnes. Any skepticism over the new voice behind the mighty CORPSE was quickly put to rest. Simply put, Vile slayed from beginning to end and became the first ever death metal record to enter the prestigious Billboard charts. Over the next few years, relentlessly touring, bolstered musicianship and progressively more potent recordings saw the band increase in popularity within the underground and beyond.
After the mass success of 2004's The Wretched Spawn and some personnel changes (Longtime guitarist Jack Owen fled the band in 2004 to carry on his commitments with his rock project, ADRIFT. ORIGIN axe-master Jeremy Turner filled in for the band during their remaining tours that year before MALEVOLENT CREATION/HATE PLOW/SOLSTICE guitarist Rob Barrett, who played on CANNIBAL CORPSE's infamous The Bleeding and Vile records, rejoined the band as a fulltime member.), CANNIBAL CORPSE has returned to the Death Metal frontlines with the pungently eloquent majesty that is Kill.
Simply titled but meticulously assembled, Kill was recorded with producer Erik Rutan (HATE ETERNAL/ex-MORBID ANGEL) at Mana Studios in St. Petersburg, Florida. The tenth record of their storied career, each track basks in its own claustrophobic abrasiveness and maniacal subject matter. From the onset of the fiery The Time To Kill Is Now , guitarists Barrett and Pat O'Brien, vocalist George "Corpsegrinder" Fisher, bassist Alex Webster and drummer Paul Mazurkiewicz pummel with a renewed sense of urgency. Fast, furious and scrupulously timed, the tune is a palpable reminder that CANNIBAL remains a force to be reckoned. Make Them Suffer sears with an old school POSSESSED vibe (a band to whom CANNIBAL has paid homage to on several occasions), while Necrosadistic Warning, replete with a barrage of blistering solo work by O'Brien, whose guitar deftness is often underestimated, comes riddled with visions of zombies sexually gratifying themselves with the body parts of the beings they've slain. Other tracks like the telling Five Nails Through The Neck, Death Walking Terror, Brain Removal Device and instrumental closer Infinite Misery see the five-piece at their most cogent, both lyrically and musically.
Older, wiser, and as malevolent as ever before, the time to Kill is now!
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ok, theres whats up on the bio page.
) girlfriend, soon a nice appartment with her, still going to shows, playing with my Heavy Metal band, watching a lot of tv-shows 
